How the beatles destroyed rock 'n' roll: an alternative history of american popular music

How the Beatles Destroyed Rock 'n' Roll is an alternative history of American music that, instead of recycling the familiar clichs of jazz and rock, looksat what people were playing, hearing and dancing to over the course of the 20th century, using a wealth of original research, curious quotations, and an irreverent fascination with the oft-despised commercial mainstream. Overthrowingthe conventional pieties of mainstream jazz and rock history, Elijah Wald traces the evolution of popular music through developing tastes, trends and technologies--including the role of records, radio, jukeboxes and television--to give a fuller, more balanced account of the broad variety of music that captivated listeners over the course of the twentieth century. Wald revisits original sources--recordings, period articles, memoirs,and interviews--to highlight how music was actually heard and experienced over the years. In a refreshing departure from more typical histories, he focuseson the world of working musicians and ordinary listeners rather than stars and specialists. He looks at the evolution of jazz as dance music, and rock 'n' roll through the eyes of the screaming, twisting teenage girls who made up thebulk of its early audience.Duke Ellington, Benny Goodman, Frank Sinatra, Elvis Presley, Chuck Berry, andthe Beatles are all here, but Wald also discusses less familiar names like Paul Whiteman, Guy Lombardo, Mitch Miller, Jo Stafford, Frankie Avalon, and the Shirelles, who in some cases were far more popular than those brightstars we all know today, and who more accurately represent the mainstream of their times. "Wald's book is suave, soulful, ebullient and will blow out your speakers." --Tom Waits "Wald is a meticulous researcher, a graceful writer and a committed contrarian.... An impressive accomplishment." --Peter Keepnews, New York Times Book Review "One of those rare books that aims to upend received wisdom and actually succeeds." --Kirkus Reviews "It is as an alternative, corrective history of American music that Wald's book is invaluable. It forces us to see that only by studying the good with thebad--and by seeing that the good and bad can't be pulled apart--can we truly grasp the greatness of our cultural legacy." --Malcolm Jones, Newsweek "Wald wears his scholarship lightly, but his ideas and insights are substantial.... The attention-grabbing title, for all its counterintuitive appeal, gives scant indication of the book's ambitions and achievements." --David Suisman, The Sixties AcknowledgmentsIntroduction1. Amateurs and Executants2. The Ragtime Life3. Everybody's Doin' It4. Alexander's Got a Jazz Band Now5. Cake Eaters and Hooch Drinkers6. The King of Jazz7. The Record, the Song and the Radio8. Sons of Whiteman9. Swing that Music10. Technology and Its Discontents11. Walking Floors and Jumpin' Jive12. Selling the American Ballad13. Rock the Joint14. Big Records for Adults15. Teen Idyll16. Twisting Girls Change the World17. Say You Want a RevolutionELEpilogue: The Rock Blot and the Disco DiagramBibliographyIndex

• ISBN: 978-0-19-975697-1
• Editorial: Oxford University
• Encuadernacion: Rústica
• Páginas: 336
• Fecha Publicación: 03/11/2011
• Nº Volúmenes: 1
• Idioma: Inglés