Using evidence from theatrical hand-books, performance practice and drama training, Abigail Rokison provides a new synthesis of academic and theatrical approaches to the Shakespearean text. Her work combines scholarship with practical exploration in the rehearsal room. In looking at theatrical interaction withearly printed and modern edited texts, Rokison investigates the potential impact of editorial principles of lineation and punctuation on theatrical delivery. The book alerts editors to ways in which actors may interpret editorial emendations, and theatre practitioners to diverse authorial, editorial and compositional methods. It contains suggestions for a 'theatrical text' which makes clear the metrical structure of a scene whilst also indicating areas of ambiguous lineation. Providing a fresh perspective on Renaissance actors' parts, the book includes detailed analysis of the structural properties of the verse, in particular short lines, shared lines, end-stopping and enjambment in a range of Shakespearean texts. INDICE: Introduction; 1. Current theatrical theories and practice regarding Shakespearean verse-speaking; 2. Theatrical engagement with the early printed text or modern edited text and modern editorial principles of lineation; 3. Historical evidence - documentary, anecdotal and textual; 4. Internal evidence: a study of nine Shakespearean plays; 5. The rehearsal room text; Conclusion;Appendix: Acting text of 2.4 Measure for Measure.
- ISBN: 978-0-521-76434-6
- Editorial: Cambridge University
- Encuadernacion: Cartoné
- Páginas: 248
- Fecha Publicación: 21/01/2010
- Nº Volúmenes: 1
- Idioma: Inglés