Recorded poetry and poetic reception from Edna Millay to the circle of Robert Lowell

Through an analysis of a wide range of commercial and amateur recordings, this book describes how and why poetry was recorded in the U.S., from the 1930's through the mid-century performances of poets such as Dylan Thomas and Anne Sexton. INDICE: Introduction: Listening to Recorded Poetry PART I: IN THE STUDIO, ON THE STAGE Making Poetry Records, Remaking Poetic Voices: Caedmon and the Library of Congress Poets and Critics Live at the Forum: The Occasional Recording and Elizabeth Bishop PART II: IN FIRST PERSON, IN ANOTHER'S VOICE Authenticity and Audience: Millay, Sexton, and Vocal Connections Impersonations: Poets, Preachers, Teachers, and the Remaking of God's Trombones Afterword: Out of theAudio Archive Appendix A: Learning to Listen: Poetry Recordings in the Classroom Appendix B: Selected List of Modernist Audio Archives

• ISBN: 978-0-230-10377-1
• Editorial: Palgrave Macmillan
• Encuadernacion: Cartoné
• Páginas: 208
• Fecha Publicación: 20/08/2010
• Nº Volúmenes: 1
• Idioma: Inglés