Sound and Action in Music addresses how auditory feedback influences the planning and execution of our movements. Focusing specifically on auditory feedback in music, the book also gives substantial coverage to its role in speech. Both of these behaviors are the primary means by which people communicate their thoughts and feelings through the auditory modality, and auditory feedback is critical in each case. Sound and Action in Music proposes that the role of auditory feedback emerges from the broader theme of coordination, as our brain coordinates planned actions with concurrent perceptual events, including auditory feedback as well as other possibly intrusive sounds. Critically reviewing the existing literature and proposing hypotheses for future research, Sound and Action in Music tackles a topic that has intrigued researchers for decades. Covers extensively the role of feedback in event sequencingDetails how motor systems influence use of auditory feedbackTackles neural mechanisms for feedback processingCharacterizes hierarchical representations and synchronizationAddresses perception/action associations and the role of internal models of productionIncludes comparison in how visual feedback influences performance INDICE: 1. Setting the Stage2. A Theory of Action/Sound Interaction3. Binding Perception and Action in Time4. Binding Perception and Action in Content5. Effects of Musical Training6. Comparisons Between Music and Speech7. Awareness and Executive Control8. Coordinating with Others9. Conclusion and Future Directions
- ISBN: 978-0-12-809196-8
- Editorial: Academic Press
- Encuadernacion: Rústica
- Páginas: 250
- Fecha Publicación: 01/04/2019
- Nº Volúmenes: 1
- Idioma: Inglés