This collection re-examines photographs and their social history, the ideological, ethical, political, and aesthetic forces that inflect interpretation. INDICE: - Introduction: Ambiguities, Distortions, Shifts; M.Kadar, J. Perreault& L.Warley - Not so Innocent: Vision and Culpability in Weegee's Photographs of Children; C.Blinder - Strange Birth: Reading Hands, Reflecting Race in Richard Wright's Twelve Million Black Voices; P.Dreiser - Documenting Disaster: Rothstein's 'Steer Skull' and the Use of Photographic Evidence in Environmental and Political Narratives; J. Hewitson - Something is Happening: Seeing It;J.Perreault - Ambivalent Image: Twisted Use; M.Kadar - Visualizing the Rising: Photography, Memory and the Visual Economy of the 1916 Easter Rebellion; J.Carville - The Promise of Public Housing: Photographs and the History of the Chicago Housing Authority; B.Hunt, M.Ensdorf& K.Pilat - ""More than an observer"": Emmy Andriesse, Dutch Underground Photographer; C.Steenman-Marcusse& C.Verduyn - Between the Officer and the Artist: Arnold Odermatt's Aesthetic-ForensicProject; T.Stubblefield - Passionate Protest: Lynching Photography and Appropriative Counter-Performances of the Lynching Ritual; Z.Trodd - Captured Childhoods: Photographs in Indian Residential School Memoir; L.Warley - Returning tothe United States Holocaust Memorial Museum: The Tower of Faces Ten Years Later; L.Levitt -
- ISBN: 978-0-230-61770-4
- Editorial: Palgrave Macmillan
- Encuadernacion: Cartoné
- Páginas: 272
- Fecha Publicación: 29/01/2010
- Nº Volúmenes: 1
- Idioma: Inglés