A Companion to Modern Art presents a series of original essays by international and interdisciplinary authors who offer a comprehensive overview of the origins and evolution of artistic works, movements, approaches, influences, and legacies of Modern Art. Presents a contemporary debate and dialogue rather than a seamless consensus on Modern Art Aims for reader accessibility by highlighting a plurality of approaches and voices in the field Presents Modern Art s foundational philosophic ideas and practices, as well as the complexities of key artists such as Cezanne and Picasso, and those who straddled the modern and contemporary Looks at the historical reception of Modern Art, in addition to the latest insights of art historians, curators, and critics to artists, educators, and more INDICE: Contents .Acknowledgements .Introduction: Pam Meecham .PART 1: Ancient & Modern .1. Colin Trodd: Revitalizing Romanticism; or, Reflections on the Nietzschean Aesthetic and the Modern Imagination .2. Andrew McNamara and Ann Stephen: A Cartography of Desires and Taboos: The Modern Primitive and the Antipodes .3. Paul Wood: Primitive/Modern/Contemporary .4. Whitney Davis: Did Modernism Redefine Classicism? The Ancient Modernity of Classical Greek Art .5. Nick Stanley: Robert Goldwater and the Search for the Primitive: the Asmat project at the Museum of Primitive Art .6. Fionna Barber: Surrealist Ireland: the Archaic, the Modern and the Marvellous .PART 2: Displaying the Modern .7. Julie Sheldon: Picturing the Installation Shot .8. Pam Meecham: Contemporary Displays of Modern Art .9. Liz Wells: Camera–Eye: Photography and Modernism .10. Wiebke Leister: Photographic Installation Strategies En–Bloc and In–the–Round .11. Judith Brocklehurst: Documenta 6: Memories of another Modernism .PART 3: Re–assessments: Modernism and Globalization .12. Jonathan Harris: Bijiasuo and Truth: Modernism Reassessed in an Era of Globalization .13. Angela Dimitrakaki: Extensive Modernity: On the Refunctioning of Artists as Producers .14. Richard Williams: Architecture s Modernisms .15. Rosemary Shirley: The Wide Margins of the Century: Rural Modernism, Pastoral Peasants and Economic Migrations .16. Naoko Uchiyama: Destabilising Essentialism through Localising Modernism .PART 4: Locating Modernism: Multiple Modernisms and National Identities .17. Laura Back: The Many Modernisms of Australian Art .18. Elena Stylianou and Nico Philippou: Greek–Cypriot Locality: (Re) Defining our Understanding of European Modernity .19. Annika Öhrner: A Northern avant–garde: Spaces and Cultural Transfer .20. Renja Suominen–Kokkonen: Modernisms, Genealogy and Utopias in Finland .21. Greta Berman: The Engaged Artist: Considerations of Relevance .22. Leon Wainwright: Visualising Figures of Caribbean Slavery through Modernism .PART 5: The Modern Artist, the Modern Child and a Modern Art Education .23. Claire Robins: A Modern Art Education .24. Nicholas Addison: Misrecognition: Child s play, modern art and Vygotskian psychology .25. Briley Rasmussen: MoMA and the Modern Child: The Critical Role of Education Programming in MoMA s Modernism .26. Anna Green: Paul Cézanne s Young Girl at the Piano – Overture to Tannhäuser or Le Haschisch des femmes
- ISBN: 978-1-118-63984-9
- Editorial: John Wiley & Sons
- Encuadernacion: Cartoné
- Páginas: 512
- Fecha Publicación: 22/12/2017
- Nº Volúmenes: 1
- Idioma: Inglés