Handbook of music and emotion: theory, research, applications

A successor to the acclaimed 'Music and Emotion', The Handbook of Music and Emotion provides comprehensive coverage of the field, in all its breadth and depth. As well as summarizing what is currently known about music and emotion, it will also stimulate further research in promising directions that have been little studied. INDICE: Part I: Overture; 1: Patrik N.Juslin & John A.Sloboda: Introduction: Aims, organization, and terminology; Part II: Multidisciplinary Perspectives; 2: Stephen Davies: Emotions expressed and aroused by music: Philosophical perspectives; 3: Nicholas Cook & Nicola Dibben: Emotion in culture and history:Perspectives from musicology; 4: John A.Sloboda & Patrik N.Juslin: At the interface between the inner and outer world: Psychological perspectives; 5: Isabelle Peretz: Towards a neurobiology of musical emotions; 6: Judith Becker: Exploring the habitus of listening: Anthropological perspectives; 7: Tia DeNora: Emotion as social emergence: Perspectives from music sociology; Part III: Measurement; 8: Marcel Zentner & Tuomas Eerola: Self-report measures and models; 9:Emery Schubert: Continuous self-report methods; 10: Daniel Västfjäll: Indirect perceptual, cognitive, and behavioural measures; 11: Donald A.Hodges: Psychophysiological measures; 12: Stefan Koelsch, Walter A.Siebel, and Thomas Fritz:Functional neuroimaging; Part IV: Music Making; 13: Dean Keith Simonton: Emotion and composition in classical music: Historiometric perspectives; 14: Alf Gabrielsson & Erik Lindström: The role of structure in the musical expression of emotions; 15: Robert Woody & Gary E.McPherson: Emotion and motivation in thelives of performers; 16: Dianna T.Kenny: The role of negative emotions in performance anxiety; 17: Patrik Juslin & Renee Timmers: Expression and communication of emotion in music performance; Part V: Music Listening; 18: John A.Sloboda: Music in everyday life: The role of emotions; 19: David J.Hargreaves & Adrian C.North: Experimental aesthetics and liking for music; 20: Alf Gabrielsson: Strong experiences with music; 21: David Huron & Elisabeth Hellmuth Margulis: Musical expectancy and thrills; 22: Patrik N. Juslin, Simon Liljeström, Daniel Västfjäll & Lars-Olov Lundqvist: How does music evoke emotions? Exploring the underlying mechanisms; Part VI: Development, Personality and Social Factors; 23: Sandra E. Trehub, Erin E.Hannon & Adena Schachner: Perspectives on musicand affect in the early years; 24: Peter J. Rentfrow & Jennifer A.McDonald: Preference, personality, and emotion; 25: Vladimir J.Konecni: The influence of affect on music choice; 26: Reebee Garofalo: Politics, mediation, social context, and public use; 27: William Forde Thompson & Laura-Lee Balkwill: Cross-cultural similarities and differences; Part VII: Applications; 28: Susan Hallam: Music education: the role of affect; 29: Michael H.Thaut & Barbara L. Wheeler:Music therapy; 30: Suzanne Hanser: Music, health, and well-being; 31: AnnabelJ. Cohen: Music as a source of emotion in film; 32: Adrian C.North & David J.Hargreaves: Music and marketing; Part VIII: Encore; 33: Patrik N.Juslin & John A.Sloboda: The past, present, and future of music and emotion research

• ISBN: 978-0-19-960496-8
• Editorial: Oxford University
• Encuadernacion: Rústica
• Páginas: 970
• Fecha Publicación: 01/04/2011
• Nº Volúmenes: 1
• Idioma: Inglés