Creative Writing and Art History considers the ways in which the writing of art history intersects with creative writing. Essays range from the analysis ofhistorical examples of art historical writing that have a creative element toexaminations of contemporary modes of creative writing about art. Considers the ways in which the writing of art history intersects with creative writing Covers a diverse subject matter, from late Neolithic stone circles to the writing of a sentence by Flaubert The collection both contains essays that survey the topic as well as more specialist articles Brings together specialist contributors from both sides of the Atlantic ÍNDICE: Notes on Contributors.1. A narrative of what wishes what it wishesit to be': An Introduction to Creative Writing and Art History': Catherine Grant.2. Writing Perceptions: The Matter of Words and the Rollright Stones: Nicholas Chare.3. (Blind Summit) Art Writing, Narrative, Middle Voice: Gavin Parkinson.4. Connoisseurship, Painting, and Personhood: Jeremy Melius.5. Under the Hat of the Art Historian: Panofsky, Berenson, Warburg: Francesco Ventrella.6. The Liar': Fictions of the Person: Patricia Rubin.7. Scattered notes': Authorship and Originality in Paul Gauguin's Diverses choses: Linda Goddard.8. Suddengleams of (f)light': Intuition as Method'?: Charlotte de Mille.9. Rotten Sun:C. F. B. Miller.10. Notes on Writing as Vertigo: Satish Padiyar.Index.
- ISBN: 978-1-4443-5039-5
- Editorial: Wiley-Blackwell
- Encuadernacion: Rústica
- Páginas: 208
- Fecha Publicación: 09/09/2011
- Nº Volúmenes: 1
- Idioma: Inglés