The Oxford Handbook of Computer Music provides a state-of-the-art cross-section of the most field-defining topics and debates in the field of computer music today. INDICE: Table of Contents; 1: Introduction: The many futures of computer music.; Roger T. Dean; Section I: Some histories of computer music and its technologies; 2: A historical view of computer music technology; Douglas Keislar; 3: Early hardware and early ideas in computer music - their development and their current forms; Paul Doornbusch; 4: Sound synthesis using computers; Peter Manning; Section II: The Music; 5: Computational approaches to composition of notated instrumental music: Xenakis and the other pioneers; James Harley; 6: Envisaging improvisation in future computer music; Roger T. Dean; Section III: Sounding Out; 7: Computer music: some reflections; Trevor Wishart; 8: Some notes on my electronic improvisation practice; Tim Perkis; 9: Combining the acoustic and the digital: music for instruments and computers or pre-recorded sound; Simon Emmerson; Section IV: Creative and Performance Modes; 10: Dancing the music: interactive dance and music; Wayne Siegel; 11: Gesture and morphology in laptop music performance; Garth Paine; 12: Sensor based musical Instruments and interactive music; Atau Tanaka; 13: Spatialisation and computer music; Peter Lennox; 14: The voice in computer music and its relationship to place, identity and community; Hazel Smith; Noam Sagiv, Freya Bailes and Roger T. Dean; 16: An introduction to data sonification; David Worrall; 17: Electronica; Nick Collins; 18: Generative algorithms for making music: emergence, evolution and ecosystems; Jon McCormack, Alice Eldridge, Alan Dorin and Peter McIlwain; Section V: Cognition and Computation of Computer Music; 19: Computational modelling of music cognition and musical creativity; Geraint A. Wiggins, Marcus T. Pearce and Daniel Mullensiefen; 20: Soundspotting: a new kind of process?; Michael Casey; Section VI: Sounding Out; 21: Interactivity and improvisation; GeorgeE. Lewis; 22: From outside the window: electronic sound performance; Pauline Oliveros; 23: Empirical studies of computer sound; Freya Bailes and Roger T. Dean; Section VII: Cultural and Educational Issues; 24: Toward the gender ideal; Mary Simoni; 25: Sound-based music 4 all; Leigh Landy; 26: Framing learning perspectives in computer music education; Joran Rudi and Palmyre Pierroux; Appendix; 27: A chronology of computer music and related events; Paul Doornbusch;Contributors
- ISBN: 978-0-19-979203-0
- Editorial: Oxford University
- Encuadernacion: Rústica
- Páginas: 624
- Fecha Publicación: 01/05/2011
- Nº Volúmenes: 1
- Idioma: Inglés