This collection examines a wide range of films and offers a dialogical model of film that preconceives the past and present as the remediation of old mediaby newer media. RICHARD BURT is Professor of English and Media Studies at the University of Florida, USA. INDICE: The New Errat/a/i/cism: Philology, Film Theory, and Psychoanalysis- The Medieval and Early Modern Cinemato-Graphosphere - The Schlock of the Medieval: Of Manuscript and Film Prologues, Paratexts, and Parodies - Re-embroidering the Bayeux Tapestry in Film and Media: The Flip Side of History in Opening and End Title Sequences - The Passion of El Cid and the Circumfixion of Cinematic History: Stereo-Typology. Phanto-Mimesis. Cryptomorphoses - Tele-TypingCinematic History: The Religious Film Epic, Philology, and Wounding Writing -K/Irakqing Up the Crusades: The Uncanny Mises-hors-scène of 'Kingdom of Heaven's' Double DVDs - Le détour de Martin Guerre: Anec-notes of Historical Film Advisors, Archival Aberrations, and the Uncanny Subject of the Academic Paratext - Anec-Post-It-Note to Self: Freud, Greenblatt, and the New Historicist Uncanny
- ISBN: 978-0-230-60125-3
- Editorial: Palgrave MacM
- Encuadernacion: Cartoné
- Páginas: 304
- Fecha Publicación: 19/09/2008
- Nº Volúmenes: 1
- Idioma: Desconocido